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Songwriting: How I Do it [Songs for Worship Settings]

Disclaimer: I don’t write hit songs. I don’t make a ton of money from songwriting. In fact, I don’t make a dime (yet?). But I do write successful songs…if you determine songwriting success in terms of sing-ability, catchiness, and overall appeal in a congregational setting.

Songwriting

Songwriting, to me, is a discipline. It’s a set of skills that you have to continue to hone. You have to work out your songwriting muscles regularly to keep them from atrophying. I’m sure there are those who write gold and platinum hits with every pen stroke, but for the rest of us songwriting commoners we have to work at it.

I write faith-oriented songs for worship. Well, technically, I write other stuff, too, but for this post it’s all about writing songs to be used in worship settings.

The Approach

Most, if not all of my worship songs come directly from scripture. There’s a plethora of ideas and in my opinion the best source for writing songs for worship. So, I try and read scripture. A lot of it. I don’t mean legalistically, but it’s a great idea to soak in it, to meditate on it. You want to write from a place of experience and familiarity with Scripture. Don’t just throw a dart at a random Psalm and make a song out of it.

The Method

1. Take a short scripture passage
…that has been speaking to you. Boil it down to one theme. I usually try to keep it to 4 verses or less. I’ll be using Psalm 63:1-4:

1 O God, you are my God, earnestly I seek you;
my soul thirsts for you, my body longs for you,
in a dry and weary land where there is no water.

2 I have seen you in the sanctuary and beheld your power and your glory.

3 Because your love is better than life, my lips will glorify you.

4 I will praise you as long as I live, and in your name I will lift up my hands.

Theme that I’ll focus on: God fills, quenches, and satisifies us in desert seasons.

It might take a while to actually boil it down because sometimes you’ll see more than one theme jump out at you. Which is actually a good thing. Use a songwriting notebook and catalog those ideas for later use. You can actually write multiple songs from even the shortest passages.

2. Paraphrase and Rewrite:

You’ll want to reword or paraphrase some of the scripture lines for singability. Sometimes you don’t have to. But for me, I tend to like to actually “write” a song and not just lift* it directly from the pages of Scripture.

Using Psalm 63:1-4 and the theme of “satisfied” as my example:

I might rewrite this phrase: Because your love is better than life, my lips will glorify you

as

Your love is so amazing, I can’t help but praise You with my song

or

Because of Your amazing love, I’ll sing my praise to You

or

We will sing our praise to You, You’ve loved us more than we could know

The point is that you can say basically the same thing many different ways. I believe, that depending on the translation you start from, it might actually benefit you and those that hear your songs to actually hear different versions of the same concept. Why? Well, for one thing if you’re writing for an environment that hopes to include those who are far from God, you don’t want to be “churchy” sounding with all of your songs.

There’s a time and a place to sing “Majesty, worship his majesty, unto Jesus be all glory, honor and praise…” but there’s also a time and a place to sing the same concept but more like “We’ve come to celebrate the greatness (majesty) of Jesus, we give him all of our praise!” Now, don’t get me wrong, I love Majesty, it’s a great song. Probably one of the most popular contemporary worship songs of the 20th century (and with good reason).

Just make sure that you are conveying the concept in a clear and concise way.

Question to ask yourself when writing from Scripture: If I didn’t grow up in church, wasn’t on staff (paid or volunteer), or had only been in church for a very short time would I still understand the wording of this song?

3. Write the chorus first:

Yep. That’s how I do it. (remember this post is about how I write a worship song). Others may do it differently. But to me, the whole idea in writing a song is that the most important concepts are repeated and easy to sing. A la, the chorus. Sure you repeat the melodies of the verses, and/or prechoruses, but theĀ  chorus is where all the memory action happens.

Name any good song that’s stood the test of time and ask people to sing the verses. Sure, people usually can sing them, but I guarantee that if you compared how many people mess up singing the verses from memory and how many mess up singing the choruses from memory, the stats would favor the choruses being the most easily retrieved. Ever heard anybody singing along to a song they know, kind of mumbling along to the verses, but when that chorus kicks in…BAMM!! They’re all in.

Make sure your chorus is solid. Here’s some things to think about:

  • Not too wordy.
  • Easy to Sing.
  • Catchy (tune and lyrics).
  • Clear in concept.
  • Short and sweet (in comparison to the other elements). Why? You can always repeat the choruses, more times than not, you won’t be repeating the verses again.
  • When writing for worship settings, it’s important to keep in mind you’re wanting to write a song that people actually join in and express their worship to God with. You’re not writing the next radio hit (one wonders these days, with the modern/radio worship movement though).
  • When writing for congregational worship, you’re writing to SERVE the congregation, not yourself. Would it be nice to get royalties for the rest of your life on a song like Shout to the Lord? Of course, but that’s not the goal. The goal is to serve the congregation. As worship songwriters, we write to give non-writers an avenue of worship expression.

Using Psalm 63:1-4, from our example, I might write a chorus that looks like this:

You are so amazing, You are good

You are my everything, You are good

The idea here is focusing on how God satisfies. I can say that without saying “God you satisfy me.” I just wrap that up neatly in the very vague, yet very specific “You are good” line. Where it makes it a little more specific is the “You are my everything” line.

Now some of you might be thinking, “Man, this is a very simple chorus.” I’ll agree. But like I said, the point isn’t to convey 14 Biblical truths or to even paint 1 Biblical truth in 14 different ways. The point is to write something that is singable, accessible, and memorable.

4. Add verses:

That’s right, add in the verses, pre-choruses, and bridges that reinforce the chorus. There’s several ways to do that.

  • All on the same “page” – Write your verses and prechoruses in such a way that they lead up to the chorus by being being the same general idea. If I were using Psalm 63:1-4, I might have a verse that reinforced my theme by being rewording the chorus line or saying the same thing differently. I could even be a whole lot more specific by adding in the “satisfy” idea here.

Verse:

No one else can fill my life the way you do

Nothing else can satisfy the hunger of my heart

No one else completes me like you do

Nothing else fulfills the longing of my heart

Then when I go into a pre-chorus or chorus here with a little bit more vague idea like You Are Good, You are my everything, it’s pretty obvious what the concept of the song is.

  • The other method is to create tension between the verse and the chorus by focusing on opposite concepts. The word “BUT” works wonders. Write the same verse but approach it from a negative perspective. The above example focuses on how there is only ONE who can satisfy and then leads in to the chorus. This method focuses more on where we are in our human condition. Which works good with this passage as well, because of verse 1.

O God, you are my God, earnestly I seek you;
my soul thirsts for you, my body longs for you,
in a dry and weary land where there is no water.

I’d make it into a verse by writing it into something like this:

Here I am, so dry and weary

My life has left me longing

The desert is closing in on me

So I look to You, I look to You

Notice how the emphasis is on the negative, and then as we move to the last line of the chorus we have the big “but” moment (other words like so, yet, however work as well). The point is, there’s a tension between the verse and moving towards the chorus. The chorus is the payoff. Verse = dry, weary, longing. Chorus = but You are good, you are everything (logically you satisfy).

5. Add in Prechoruses or Bridges:

Again, keep in mind this is how I write songs for worship. Your method might be different. And it might even be better.

Here’s where I would come in and add a prechorus or bridge. I like to keep in mind that if both the verse and chorus are both positive I might add in the negative angle for a little tension. For example in this case, I might focus on how “WHEN I’m dry and weary You fulfill” me and then rock it back into the chorus.

If I’m using the tension method between the verse and chorus, I might just simplify the concept down to a phrase and repeat it. Think along the lines of “You Are My King (Amazing Love)” by Billy Foote (though both verses and choruses are focusing on positive aspects). When it gets to the bridge “You are my King” line it’s just a simple phrase repeated over and over…but it’s actually the essence of the whole song. It just takes the chorus and continues to drive that concept home.

Another good example of a simple bridge is Hillsong. They tend to do this a lot. After the 2nd verse and 2nd chorus, they’ll go to a repetitive phrase that just reemphasizes the song concept. “Everyday” by Joel Houston is a good example of this. They just took the chorus and rearranged the wording a bit.

6. Add Music?

If you’re like me, you’ve already been adding music along the way. Some people write only lyrics first. I actually only write lyrics first when I’m writing a rap tune or something along those lines. Most times, I’ll already have a chord progression in mind when I begin to meditate on Scripture.

However, that doesn’t mean you can’t just write lyrics. If that’s what works for you do it. Add music later.

7. Throw out the formula:

The other thing to think about is that what works well for most of your songwriting, can just as easily be thrown out. Sometimes I approach a song from a totally different angle because I WANT it to be different. I might ask someone else to come in and help with lyrics or music. I might write only the lyrics first. I might just write a song based on something I see or experience. That can be just as much utilized in a worship setting as a “scripture” song. Maybe even better (just make sure your experiential songs line up with scripture before you release them into the wild).

Sunday Setlist [Easter 09 Edition]

Easter 09 @ House of Joy
We met at the Valdosta High School Performing Arts Center which is an amazing place to do anything creative. It was a great day. Our theme was Elevate. We had great attendance numbers and it was definitely wonderful to meet all together in one service. Wish we could meet at VHS every week. Sadly, our school board has a policy designed to keep churches from meeting in schools regularly.

image_051

We met Saturday night for a few hours and set up most everything and then came in early this morning to do final checks. It was AMAZING to have 2 hours to use for rehearsal. There were a few stressful moments tied to meeting in and using the facilities, but overall it was an amazing experience.

image_053

The screen for our presentation was HUGE! I’d guess about 25 feet high floor to ceiling. The stage was enormous. Think theater, musical, drama, high school band/symphony concert huge. The screen in the picture raised and lowered like a stage curtain. Behind that is as much stage space as is in front of it, maybe more. We were able to use the house sound and lighting systems, which made for a beautiful environment.

1. We Shine (Fee):
CCLI Song #5039243. Key Am/A. Great song. We do it pretty similar to recorded version.

2. Revelation Song (Riddle):
CCLI Song #4447960. Key C. This one always rocks. We do it with a whole lot more teeth than the Gateway Worship version.

3. With Long Life (Houghton):
CCLI Song #5039243. Key Cm. I personally love this one. It always goes over well with our crowd.

4. I Will Rise (Tomlin):
CCLI Song #518345. Key G. This is the first time we’ve done this one. We used a smaller “band” to do this one and I sang lead by myself on this. Big props to our acoustic guitar player, Keith, who brought his keys and layed down some SWEET strings action. I played the grand piano. It was beautiful.

Here’s our drummers having fun after service:

image_054

Happy Easter Everyone! Easter Sunday Setlists from all over the world!

Our Top 10 Songs for Praise & Worship

In looking back over the last year, these are the songs that have really clicked with our congregation and band. We try to maintain a good balance between soulful and rock music. You’ll definitely see where we go for the soulful side with all the Houghton tunes. These are in no particular order.

1. With Long Life (Houghton):
CCLI Song #5039243. We love playing this one. It has a very reggaeton/dancehall reggae meets latin feel to it. Definitely one that can be a challenge for the band to get tight on, but once you “find” that groove, it’s really a simple song. We also include the rap bridge as well.

2. Say So (Houghton):
CCLI Song #4944016. In my opinion, one of Israel’s Houghton’s best tunes. It has a nice contrast between verses and chorus. You can really bring the intensity down for the verses and crank it up for the choruses. This one might be a bit easier to rock out than With Long Life, but at the same time, if you really want it to have that pop you’ve got to syncopate the choruses like Iz’s drummer does.

3. Blessed Be Your Name (Redman):
CCLI Song #3798438. No one can deny the catchiness and singability of this song. Though it can be a little rangy, it’s a great one to split lead vocals on. We usually have a female sing the lower verse parts, and a male comes in and carries the pre-chorus and chorus. I believe we’ll be including this one for years to come.

4. Jesus Is The Best Thing (Munizzi):
CCLI Song #4586728. Another one of our congregation’s favorites. This is another one of those “different” grooves. Where it could be problematic for some churches is in it’s “clap-ability” factor. Grooves like this aren’t straight forward 2 and 4 clappers. So, if you get this one down and notice people aren’t clapping, it’s not because the song doesn’t groove, it’s because of the “odd” reggaeton/dance hall kick snare groove. We incorporate the rap as well.

5. We Shine (Fee):
CCLI Song #4939928. This is another one that rocks. It’s more of a straight forward rock song. Fee is putting out some great stuff and this one really works well with our folks. To make it really pop, you’ve got to have at least 2 electric guitars who are on top of their individual parts and a drummer that can keep the intensity throughout. Not to mention a lead vocalist that can really take the seemingly monotonous melody line during the chorus and prechoruses and make the zing. All in all it’s a great song, but I don’t recommend it to small bands or congregations who lean more towards the traditional setting for worship.

6. I Know Who I Am (Houghton):
CCLI Song #5040139. Great song. We tend to do this one almost exactly like the recorded version that features Chris Tomlin. This is one that can be both soulful and rock at the same time. Great song with great lyrics.

7. All Because of Jesus (Fee):
CCLI Song #4882903. Another good one from Fee. We first learned the Casting Crowns arrangement, but have since moved to the Fee version (which is a little more rocked out).

8. Shackles (Mary Mary):
An oldie, but goodie, soulful r&b gospel joint that keeps our people moving. We’ve pretty much rearranged it to fit our style and flavor here while keeping the soulful integrity of the original version. Our female vocalists tear this one up.

9. Revelation Song (Riddle):
CCLI SONG #4447960. How could anyone not like this simple, easy to play, yet beautifully crafted song? It’s a great one. To keep with out “style” here at HOJ, we’ve rocked it up a little bit more and increased the tempo by about 10 bpm. Our people love this one.

10. He Reigns (Furler – Newsboys):
CCLI Song #4026635. This one is a Newsboys worship classic. It’s an older song, but gets a lot of radio play in our area. It’s one that we can switch up the leads on a lot. Easy to play. Definitely recommend this one for any church worship setting.

What are your church’s favorite praise & worship tunes?

10 Great Worship Leading Resources

I’m always looking for ways to enhance my own skills in graphic design and in music/worship arts coordination and there is probably no better resource for free and diverse resources than the internet.

1. How Often Can I Introduce A New Song
(Paul Baloche):
Paul talks about introducing new music and how much new music is too much.

2. Tips on Writing A Great Worship Song
(Jeff Deyo):
Jeff talks about practical ways to craft a great song, including the importance of practice, trial and error, and collaboration.

3. General Worship Leading Tips
(Kelly Sparks):
An older, but practical, text list of great tips.

4. 10 Tips For Worship Leaders: Enhancing Stage Presence
(The Worship Community/Lorie King):
A great resource and ensuing discussion about creating an environment where worship is facilitated.

5. Worship Planning & Organization
(womeninworship.wordpress.com):
A short list of organization tips that EVERY worship leader can utilize.

6. Building A Worship Band
(Ryan Sheeler):
A few great tips on getting started with a worship band.

7. Worship Band Workshop Part 1
(Paul Baloche):
A great video on playing with a worship band and how each instrument plays a role and fills a specific niche in the spectrum (pitches).

8. Presentation Slide Tips for Worship
(WorshipCraft.com):
A simple easy to follow article about creating presentation slides for worship.

9. Worship Songwriting Tips from Fernando Ortega
(WorshipMatters.com):
Bob Kauflin shares some songwriting tips and thoughts given by Fernando Ortega several years back.

10. The Worship Community Forums
(theworshipcommunity.com):
A great resource for worship leaders and worshipers alike. Post your thoughts, respond to questions, answer polls, vent, encourage, learn, grow, and be part of a community of worshipers from all around the world.

Worship Ninjas: How Great Is Our God

Song: How Great is Our God by Chris Tomlin

Worship Ninjas: Mark Thomas (denverintranslation.com); Russ Hutto (russhutto.com)

Vid #1:

Mark breaks down this song and shows how he leads it from acoustic guitar. He mispronounces Russ’ last name since he’s never actually “heard” it pronounced live (only seen in the blogosphere), but after a throwing star contest in which Mark hits a dancing fruitfly at 600 yards, all is forgiven.


How Great Is Our God from Mark Thomas on Vimeo.

Vid #2:

Russ breaks down this song and shows how he accompanies the vocals with simple, straightforward chord shapes. At the throwing star contest he de-cigarettes a smoking camel at 400 yards, but it isn’t quite enough to win his family’s honor back.


How Great from Russ Hutto on Vimeo.

Tune in next time for more easy to follow song tips for Guitar and Keys.

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